Solstice
Originally uploaded by PDXcreative.
Bring back the sun...
Illustration + design + ideas + portfolios + sketches + concepts + updates + events
Digital finger painting... It's like having a studio in your pocket.
Originally submitted at RadioShack
Protect your iPhone with this vibrant and fun Tiki case from Case-mate.
Case-Mate Copyright Infringement - Unaut
Pros: Lightweight
Cons: Flimsy
Best Uses: Everyday Use
Describe Yourself: Parent
Primary use: Personal
The usage of Von Glitschka's art on the "iPhone 3G / 3GS Tiki Cases" was unauthorized and uncompensated for financially. Case-Mate was ignorant and disrespectful in the usage of this artist's "well known" piece of artwork on this product. The usage of it and expectation that they might get away with it exemplifies an example of extreme ignorance on the part of the art director/designer in charge of art placement & usage on this product. Anyone buying this product until it is announced that compensation has been made endorses the act of stealing the art of others for profit.
Von Glitschka's original tattoo art, available via the web as well as many industry publications. I can only assume that if no agreement is reached a lawsuit will follow.In the meantime artists' must NOT do business with Case-Mate and customers must not buy Case-Mate products.
http://www.floatingbanana.com/artbackwash/tribal_face_tattoo.png
(legalese)
Illustration sketch for Von Glitschka's new pattern book called "Art with Heart".
The Orphan Works Landscape
by Brad Holland and Cynthia Turner
March 27, 2008
The New “Improved” Orphan Works bill is due out next week. We expect it to be much the same as the last one. Unfortunately, the Orphan Works landscape has changed.
Several groups which opposed the bill last time will not oppose it this time. They’re ready to concede defeat in return for concessions for their groups. They’ve also insisted that no other visual artists speak out against it. They say we must all capitulate in order not to endanger the concessions they want. They say we have to show Congress that artists speak with one voice: theirs. That creates a problem.
Not all visual artists have the same stake in copyright protection. Who owns the copyrights to your high school yearbook photos? Your wedding photos? Bar mitzvah pictures? How often has that ever been an issue?
If you don’t make your living primarily by licensing copyrights, you may not have the same stake in this bill as those of us who do. Moreover, visual arts groups don’t exist by licensing copyrights; artists do. So whatever concessions might be acceptable to an artists group might still harm the careers of artists.
We believe the way to speak with one voice is not to submit to a bill that would:
- Create uncertainty in commercial markets;
- Nullify the exclusive right of copyright and therefore
- Reduce the value of your work;
- Threaten the privacy protection afforded by current copyright law; and
- Invite retaliation from abroad.
Instead, Congress should be lobbied to draft specific, limited exemptions that permit the use of true orphaned work. When we’ve seen the new bill, we’ll provide you with suggested language for writing lawmakers. In the meantime, you can help by continuing to spread these emails to any interested party, both in the US and overseas.
Remember: the US Orphan Works amendment is not an exception to copyright law to permit the archiving and preservation of old, abandoned works. It is a license to infringe contemporary works by living artists worldwide. Its goal is to force these works into private commercial US registries as a condition of protecting copyrights.
Coerced registration violates international copyright law and copyright-related treaties. To concede defeat on it is to knock a hole in copyright law and admit a Trojan horse.
-Brad Holland and Cynthia Turner, for the Board of the Illustrators’ Partnership.
Ainsworth Holiday Home Tour 2007 | Portland, Oregon
www.ainsworthholidayhometour.org
HOW Publishing | book illustrations (pages 73 & 109)
Travel Smith catalog cover.
Apparel & accessories for the traveler.
Acrylic on board.
Salad illustration for resturaunt identity.
technorati tags:salad, food, illustration
This was actually done for a story on "big vegetables" grown in Alaska and shown at the Alaska State Fair. The size of the cabbage in comparison to the man is not far off in size according to what was grown except the weight might be a bit more then he could carry.
— Winning Veggies:
— Green cabbage weight: 105.60lbs in 2000
— Pumkin weight: 942lbs in 2005
— Rutabaga weight: 75.75lbs in 1999
— Corn weight: 4.20lbs in 2000
— Watermelon weight: 168.60lbs in 2005